Roll the clip

Alright folks, let’s get a few things straight.

Today is September 20, 2014.

We are approximately three days away from the beginning of the Autumnal season.

I am twenty-nine years of age.

You are whatever age you currently are.

This is where I am sitting:

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Everything is both beautiful and terrible. Everything is both unadulterated brilliance and unmitigated bonkerness.

Everything just is.

Sometimes, whenever I start to get really down by all of the fuckery that seems to dominate our world’s discourse (not to mention actions!), I just really try and focus on all the amazing, beautiful, and breathtaking things and events of which I am privileged enough to both behold and partake.

And sometimes, I just think about the quiet world of my early morning, pre-work runs.

When the sky is a mottled blend of purples, pinks, greens, and blues.

When the sky is the most beautiful bruise.

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I run down along the boardwalk with my heart in my throat, and my tears in my eyes. My legs feel as though they are six miles long, and my arms pump, just like my blood pumps, and everything feels right and strong.

And I know that I am flying.

Sometimes I feel silly and trite writing again and again what it feels like to run. How propelling myself forward as hard and as fast as I possibly can brings on such infinite joy.

But I can’t.

Just like running itself, I cannot stop.

I cannot swallow these words.

They are a compulsion.

They are a joy

Work has been a little batty of late (50+ hour weeks), spent zipping about like zipping things (zippers!!).

However, seeing as though my fellow colleagues are gentlewomen and squires of the highest order, I cannot bring myself to complain.

The fact that I am passionate beyond a thought about my job and the work that I do is, of course, another boon.

However, this is not to say that we can’t have a great laugh at our own expense, especially in the lead-up to a very large event, of which we have been working on since March.

March!

Case in point:

grumpy

I, like we all, have the capacity to be a grumpy cat.

Hence, I am actually grumpy cat.

Remember movies?

I do, but barely.

And this leaves me feeling a little melancholy.

Because movies used to mean so much. They used to mean so much to me.

I recall the first movie that I ever saw in a theatre.

Beauty and the Beast was everything a movie should be (in my very discerning six year old mind). It was funny and scary. There was a beautiful, brilliant, strong female lead who loved to read and who wouldn’t take crap from all the ridiculous idiots who populated her “provincial town.” She, rightly, loathed Gaston, and held her own when it came to The Beast’s infantile temper tantrums.

In truth, it’s probably the only Disney princess flick I’ll ever be okay showing my future kidlets (but that’s another post for another time.)

I am fairly certain it was my nanny Suzanne who took me to the movie, and it was her gift to me on my sixth birthday. We went to the old (and now sadly demolished) Capital Six, back when Granville Street was in its full grunge-tastic glory.

Memories!

The first “grown-up” movie I ever watched in theatres was when Shona Langmuir, Patricia Beckerman (aka “The Girls”), and I went and saw The First Wives Club when we were in grade five.

Note: please let me emphasize the term “theatres” in the above sentence. My family were rather lax when it came to flicks seen by us kids, and we were viewing adult movies at a very, very early age. I remember watching the Fugitive on Easter Monday in grade two.

Nothing like collecting a bunch of chocolate eggs and then sitting down as a family to watch Harrison Ford clear his name!

Good grief.

But I digress. Holy damn did I ever dig The First Wives Club. Sure I didn’t get a lot of the jokes, and the scene where Brenda eats dinner by herself absolutely destroyed me. But it didn’t matter. It was three women who loved each other, out in the world, kicking ass and taking names.

Too this day I re-watch it at least once a year.

You don’t own me!

Looking at both this film and Beauty and the Beast would you say that there seems to be a pattern emerging as to the type of movie that really resonated with my younger self?

Oh to be that wide-eyed, bushy-tailed, newly emerging feminist!

There are so many more movies that, collectively, with the thousands of books, songs, and other miscellaneous artistic detritus that I’ve encountered and loved along the way, have helped inform who I am as a young woman today.

For instance: I LOVE Forrest Gump.

Next time you see me, ask me to quote the entire movie. I will do this for you.

I also love Forgetting Sarah Marshall, and A Fish Called Wanda, and I will always adore Hugh Grant in Four Weddings and a Funeral.

I saw Amelie in grade eleven with my first boyfriend and spent the entire summer pretending to be her.

I adore Kieślowski’s Three Colours trilogy. My favourite of the three films being the darkest and most brilliant black comedy of all time, “Blanc.”

I will go to my death extolling the cinematic virtues of The Big Lebowski. For me, nothing will ever be funnier than this brilliant pieces of the Coen Brothers subconscious. I quote it all of the time and there are total parts of my and Marc’s vernacular made up solely by movie lines. I can also never look at a bowling alley the same way again.

It’s weird.

I love dramatic films as much as I do comedy, however I just am never one to really revisit these masterpieces, and as such they don’t influence my life to the degree as my favourite comedies.

And it’s not as though these two genres cannot exist simultaneously. In no uncertain terms are they are not mutually exclusive concepts.

It just takes one hell of a filmmaker to pull this off.

(Like the Coen Brothers.)

But isn’t movie watching also so much about the experience? The memory of that time spent in the theater? Where you were? Who you were with? Where you were in your life?

Probably one of my most cherished movie related memories is from the first few months of Marc’s and my courtship. Only four months into what is now an eleven year love affair, the two of us went to see Love Actually on a dark, went and very cold Vancouver November afternoon.

I had spent the night at his place and, because I was in my weird “only skirts, no pants” phase, I was wearing a pair of his cords because I didn’t have a clean pair of tights. They were absolutely huge, and I looked a bit of a sight. We had spent the morning at a community theatre on the Westside where I auditioned for a part in an upcoming play (spoiler: I didn’t get the part!), and then had bussed downtown. Arriving at the theatre (also the Capital Six!), we ran up the escalator so we wouldn’t be late for the previews.

I so wish I could properly communicate how much I felt watching that movie, sitting next to the man (the boy!) for whom I felt so, so, so strongly.

My body completely electric as I held his hand, I laughed at Bill Nighy’s amazing portrayal of Billy Mac and felt my heart break and break and break for Emma Thompson.

I just loved it.

I hate that I am even typing this, but for me, at that moment in my life, love truly was all around.

(I’m sorry!)

But it’s true.

And that’s why movies matter.

And why, despite the fact that I never go to the theatre anymore, and I only use my Netflix to watch old episodes of QI and MI5, I’ll never let them go.

I couldn’t even if I tried.

I shall desire more love and knowledge of you

In Act Two Scene Seven of Shakespeare’s As You Like It, the melancholy Jacques begins his monologue with the line: “All the World’s a Stage.”

To this day, this is one of old Willy’s most famous and oft quoted lines and, of course, like so many of Shakespeare’s brilliant quotes, has become interwoven into our everyday parlance and vernacular.

Aside from humanity’s daily play-acting and always-dramatic machinations (think of how your “work” self might differ from say, your ‘home” self, as well as the ever-degenerating circus we like to call International Politics) there are many people for whom the world IS a stage, both personally and professionally.

I am of course speaking of thespians, or actors, or dramatists, or however else we (or they) would like to be classified.

Actors make us believe in make believe.

Through this proclamation – that all the world is a stage – they actually make us forget this (easily parodied but always present) reality.

This is one hell of a paradox, but is ultimately the magic of great theater (or cinema, or whatever other artistic medium a performance might take.)

Brilliant actors have the power to transform – not only as individuals on stage in character, but transform all of us who sit watching, entranced.

When I was in grade twelve I went to a production of the Daniel McIvor’s Marion Bridge.

For three hours I sat barely breathing, enraptured by three women who commanded the stage with such understated and yet overwhelming brilliance.

The play is about three Nova Scotian sisters – a nun, an actress, and a truck driver – who are all coming to grips with the sickness, and eventual death of their mother.

It is an uproariously hilarious and deeply devastating work of art.

Driving home with my then-boyfriend after the final curtain call I cried harder than I can ever remember crying up until that point in my life.

It was as I had stumbled upon and then cracked open a long-forgotten and deeply hidden store of unrelenting sadness.

When I think about that drive, all I can remember is the taste of my fat, hot tears, and the sensation of my deflated body wracked by a heart-shattered palsy.

My poor boyfriend just kept looking over at me and asking, “Are you alright?”

And while all of my answers were just different iterations of blubbered wails, all I really want to tell him was that I couldn’t be more right.

I was all right.

Second.

Of late, I’ve been moving. Gifted with an abundance of extra energy, I feel like an ever re-generating battery, charging about in search of my lost bunny ears.

This dynamism has manifested itself in early morning pre-work runs, and late-evening workouts (as I watch old episodes of QI on Netflix.)

Yesterday morning I ran the farthest I’ve ever ran in one outing – twenty-three kilometers. I recently signed-up for my first full marathon (Boundary Bay on November 2nd) so I figured it’s time to stop faffing around and get serious.

I even fell at 12.5km, but picked myself up and carried on my way.

I want some serious mileage under my belt by the time that starting gun is fired.

(Because I secretly, though not-so-secretly, really, really want to quality for Boston at this race.)

However all of this activity can make it hard to find the quiet moments.

So I’ve been using these long training sessions to work on my ability to just “be” with myself.

I’ve been really trying to focus on this whole mindfulness thing.

I’m trying to be fully engaged – both mentally and physically. (Much like the aforementioned Jacques, only my wealth of optimism stands much less depleted.)

I’m trying to really feel everything.

Which is hard.

Third.

Dance parties ALL OF THE TIME.

Which is easy.

Looking down on these bright blue city lights.

Sunday nights are for:

Dostoevskian musings.

Tank tops and comfortable shorts.

Fresh cut lavender and dark roast coffee beans.

Sunday nights are for:

Finding all the hair elastics I’ve scattered about the house.

Half-drunk water glasses, reflecting a sleepy, satisfied sunset.

Placing my shirt, shorts, and running shoes at the front door.

Finding the good athletic socks.

Sunday nights are for:

Watching the final stage of the Tour de France, mesmerized.

Post-Tour living room workouts.

Sunday nights are for:

Monday work-meals. (Peanut butter and jam sandwich; salad with homemade dressing; cucumber slices and cherry tomatoes.)

The Lumineers

Sunday nights are for:

Scribbling and scribing.

Dreams and delighting.

Sunday nights are for:

A subtle breeze cooling the heat of my cheeks.

Kitten kisses.

Sweeping up the fallen rose petals.

Painting the nails on my hands, but not on my feet.

Sunday nights are for:

Washing the weekend’s campfire from my long, blond locks.

Long walks, and whispered talks.

Sunday nights are for:

Memories

Sunday nights are for:

You and Me.

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So let us melt, and make no noise

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Hey kids.

Since yesterday’s post was pretty grim, I figure I should bring some levity to the situation, lest you all conclude that I’m two steps from plunging into the Fraser River and succumbing to a similar fate to that of British Columbia’s ever-depleting salmon stocks.

(A victim of over-fishing and sea-lice infestations? WHAT AM I TALKING ABOUT HERE.)

Anyways, it’s not as though we can ignore the fact that the worldy goings on of late have been bleak as hell, what with all of the war, killing, and partisan hackery that dominate our political, social, (and unfortunately sometimes even personal) discourse.

It’s hard to ignore these omnipresent and always disheartening realties.

Try, of course, as one might.

It rained for the first time in Vancouver in what feels like years.

We’ve been blessed with such unbelievably warm and sunny weather that I had almost forgotten what it means to live in a coastal, temperate rainforest.

An excellent reminder of the reality? My extensive collection of cheap flats and my ever-strengthening propensity to forget my umbrellas every which place I travel.

What a talent!

Anyways, what I really want to write about is my unwavering belief in the incredible beauty of human connection (particularly in light of (or perhaps despite of?) all the depressing and violent garbage being levelled at all hours of the day, in all four corners of the globe.

Humans are the worst, and yet we are the absolute best.

We are capable of so much terror, greed, and fear, but we also have the capacity to do so much good, spread so much love, and create so much magic.

We have the capacity to meet someone and immediately know them. Immediately know you were meant to know them.

I sometimes feel corny talking about soul mates (but then I question whether I actually do feel corny, or whether or not I’ve been conditioned to think that such topics are corny, what with so many young lads and lasses crying “gauche!” when confronted with raw and real displays of love and emotion.)

Perhaps it’s a mix of both (I certainly lend credence to the belief that there is a time and place to best trumpet your affections for an individual/individuals with whom you are besotted) but mostly I am just one giant love warrior with a massive ax to grind.

(Love ax, mind you.)

I so firmly believe in soul mates that sometimes I feel like my heart is so full that it just might break into hundreds and hundreds of pieces in the hopes that each fragment might be gifted to all the amazing individuals who have impacted my life in ways both uproarious and profound.

Sometimes I meet someone and I feel this connection, and I just want to stand there in front of them and proclaim, “THIS IS MAGIC. TELL ME THAT YOU FEEL IT TOO.”

(And while confident as I am that they would too feel this link, I do sometimes think of the sensation I get after having woke from a mind-jarringly real dream featuring a good friend or even acquaintance when I am left wondering again and again whether or not “they could have dreamed the exact same dream?”)

Can I really be the only one who just experienced/is experiencing this?

Human beings, I tell ya.

What a bunch of strangers in an even stranger land.

So as always, I turn to my life coach and imagined grandfather – Mr. Ray Bradbury.

“You have to live in a cloud of emotions. You rev yourself up. Give yourself time in the middle of the afternoon, or when you’re waking up early in the morning, when you’re in that kind of wonderful, euphoric state in-between, on the verge of dreams when you get a kind of nuclear bombardment of all kinds of fragments of ideas jumping around inside your head and hitting each other. They begin to fuse and detonate each other. It’s a very hard thing to describe. You don’t have any control over your mind at a time like that, and you don’t want it, see? Let it run wild!”

Hell yes, Mr. B.

I’m all about running wild.

Just try and stop me.