I really wouldn’t eat that

Today I bought a rice crispy square from the vending machine at my work.

This is not an unusual occurrence. I purchase a lot of things from machines that require loose change because I have a palate that easily forgives bagged or wrapped goods.

I would wager a guess that I eat anywhere between two and four rice crispies a week, and am completely non-discriminatory between those procured from vending machines and those created in our cafeteria’s kitchen.

This lack of discernment is a huge black mark on my character, I know.

Anyways, today at noon I rushed downstairs to buy this snack, and as I hadn’t yet eaten anything, I was feeling particularly ravenous.

I inserted my dollar fifty and greedily eyed the package as it fell into the machine’s retrieval void. As I picked it up, I noticed that the wrapping was a little suspect. There were no rips or punctures, but its rather ramshackle appearance did give me pause: what the hell had happened to this bar during its transportation from the factory to its final destination?

Unfortunately, I didn’t wax long on these thoughts before tearing right into it.

As I sat at my desk and munched away at my “lunch” (like the depraved feral animal that I am), I noticed that there was a strange colour coming out of the second half of the packaging. Upon closer inspection I could see that it was, in fact, a hair.

A long, black hair.

A long, black hair that had wrapped itself around my snack, like some angry, follicly-born anaconda (a real medusa-like foe) that was all too ready to squeeze the life out of me and turn me to stone.

I turned to my colleague and said, “I don’t feel so good about this.”

And she said, “That’s because you definitely shouldn’t.”

My stars.

No doubt I am probably going to contract some kind of tropical fever and all I will have to show for myself is the contents of my work waste paper basket.

Talk about a legacy.

This is not the first time something like this has happened.

When Marc and I were living in England in 2009, we spent a week in Scotland scampering about Edinburgh and St. Andrews. When we weren’t hiking Arthur’s Seat in severe windstorms, or running along the beach Chariots of Fire-style, we were doing the things that most twenty-four year olds do when travelling: drinking too much and staying out too late.

One night, I asked Marc to take me to the Oxford Bar – the drinking establishment frequented by Inspector Rebus, the fictional detective and misanthropic protagonist of Ian Rankin’s best selling novels. You see, we had very limited internet access in our flat back in Birmingham, and in the absence of ever being online, I read about fifty odd Rebus books during the months that I was studying at the city’s university.

Now that we were in his city, it was imperative that I drink at the bar in which he like to drink.

We started out at the Oxford – me with white wine and Marc with a dark, bitter beer. It was there that we decided, being as it was that we were poor as hell students, that our nightly budget was to be spent on alcohol, and alcohol alone.

From there, were began our own Scottish bar crawl, venturing into both the shadiest of underground establishments and the absolute poshest of speakeasys – though we made a point not to linger in the latter.

At one of the bars, we were invited to join a Marks and Spencer’s Christmas party where I was gifted many glasses of wine, and Marc about one million shots of whiskey.

By the time we were sitting in the last bar of the night – a cozy little space right off of the royal mile – I could hardly feel my face. When the waiter came over to take our orders, it was all I could do to croak out: “One glass of water please.”

Marc, steadfast and brazen, ordered a scotch.

I’ll never forget picking up my water, taking a sip, and blurting out, “This water tastes like a shoe.”

It was a quarter to 3am, and it was time for bed.

But the problem being – there was no way in hell that we could return to our hostel in such rough shape. We needed food and we needed it right away.

There was a late-night diner just up the road from where we were staying, and having completely forgotten our plan of “no food, only booze” we both ordered burgers and milkshakes.

I had ordered a veggie patty with melted cheesed and when it came I didn’t even hesitate. I tore into that thing like David Attenborough was narrating my life. What I didn’t expect however, was to pull out a very orange, very plastic looking thing from inside the bun.

Puzzled, I turned to Marc and whispered, “What the hell is that?”

Marc, hammered, and intensely focused on consuming his food, looked me straight into the eyes and replied, “Oh man. Babe. That’s a piece of cheese with the wrapper still on.”

Horrified, but also cognizant of the fact that I was inebriated up the yin yang and insecure that the staff already thought me a belligerent American, I shuffled up to the counter and shyly inquired, “Ummm, excuse me? Is this cheese with the wrapper on?”

The woman stared and me for a long beat before answering in her strong Scottish brogue, “That’s a roasted bell pepper.”

“Oh,” I said. “I see. Thank you. So sorry for the trouble.”

The total embarrassment I felt in that moment precipitated an almost immediate sobering. Marc and I grabbed our milkshakes and beat a speedy exit out of there.

Back in our hostel we laughed ourselves silly before falling into bed. I remember drifting off to sleep thinking if this was the last night of my life, it would be one for the annals.

And now, compared to my imminent rice crispy doom, a much better way to go.

They come in threes

Chapter 1

So remember last weekend, when I wrote about running in Lynn Park and how I almost destroyed myself over the course of my route?

Well, today it actually happened. I absolutely rocked myself about seven kilometers into a twelve kilometer run.

I was careening along a long, gravel straightaway and stubbed my right foot on the tip of an unseen rock. From this point, I launched myself right into a baseball slide (arms first), straight across the pathway.

Exhibit A:

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Exhibit B:

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I hate falling.

For all of the usual reason, yes: it hurts, it’s embarrassing, it totally messes up your plans, and it makes bathing and clothing yourself equal parts excruciating and ridiculous for days on end.

But what I hate the most about falling is that strange nebulous time frame between the actual trip, and the moment you make contact with the ground. Your conscious, rational self knows that a connection with the earth is imminent, and yet, you still try to think of all of the ways you could stop it from happening. And then, right before impact, you resign yourself to your fate, and brace for the carnage.

After coming to a complete rest, I always try give myself a moment to take stock and check for bad cuts and injuries before getting to my feet, because I always just want to keep running and get away from the crash site as quickly as possible. Today, my adrenaline was going like crazy, and it’s at times like this that I have to be particularly careful not to start again too quickly.

I was also pretty angry with myself for making such a simple mistake, and my gut reaction was to beat it out of there and just get on with completing my run. But noticing a large stream of blood pooling in the palm of my left hand, I thought it better to be safe than sorry, so I ran back to the park’s entrance and washed my wounds at one of the water stations.

A small part of me contemplated just running back to my car and heading home, but most of me couldn’t fathom not finishing what I had set out to accomplish. So, with my cuts stinging like crazy from the antiseptic handfoam I got from the closest outhouse, I ran back to the route and finished.

It wasn’t until I was actually driving home that the extent of my cuts and scrapes really came to the fore. They stung. Stung like mad.

I made a quick pit stop at London Drugs to stock up on Epsom salts and Haribo, and upon my arrival at home, booked it straight into the bathtub.

For the next hour I sat, soaking my wounds, eating candy and listening to Hari Kondabolu stand-up shows.

Not the worst way to spend a Sunday morning, but good grief, next time I’ll elect to do it without having to gently scrape the dirt from my bleeding elbows.

(That’s more of a Tuesday morning chore.)

Chapter 2

Everyone has silly little things that made them smile. For instance, I love recognizing Vancouver in movies and television shows. I always get butterflies when people address me by name in conversation – whether face to face, over the telephone, or via text. And I will always, always love a song that has some kind of hand-clap section or chorus.

It’s an inevitable truth of life, and there is nothing to be done. I have resigned myself to this fate.

So you can of course understand why I currently have this song on constant repeat, much to the chagrin of every human within earshot of my musical devices.

I just cannot help it. It’s so darn catchy and it just makes me want to dance about the world, nonstop forever.

(My cat, unfortunately, was very unimpressed by this yesterday, and staunchly refused to join in.)

Some others that I enjoy:

Where It’s At (Beck)

Beck was one of my very first music loves. I asked for, and received Mellow Gold for my 11th birthday but I loved Odelay even more, because of this song.

Cecelia (Simon and Garfunkel)

It is always, always summer whenever I hear this opening refrain.

Women’s Realm (Belle and Sebastian)

This band. Goodness, this band.

Chapter 3

I have a recurring dream – or nightmare, I suppose – where I am caught outside wearing nothing but a t-shirt.

No underwear. No shoes. Nothing.

It’s just me, my t-shirt, and the elements. I find myself rooted to the ground in a busy town square or being jostled about by the teeming crowd of an emptying lecture hall. It’s the weirdest experience, trying desperately to both cover myself and creep away without anyone noticing.

What’s even weirder is that it’s exactly the same – the panic, the fear, the discomfort – every time.

I don’t dream this dream as often as the one where all of my teeth are falling out, nor do I find it as terrifying as the one where I am two seconds away from falling off of the chair lift, but nevertheless, it has firmly ensconced itself into my personal narrative and never fails to leave me shaken up.

Because, let’s face it. Nudity is a pretty weird thing.

But the fact that we clothe ourselves all of the time, even when we are alone, can seem equally as weird. Knowing that we are all just a bunch of penises and vaginas, cleverly hidden away, traipsing about the planet is an idea I rarely give time to, but find utterly bizarre when I do.

Sometimes when I was a pre-teen, I would take moments and try to visualize all of the adults, outside of my family, naked. I would try to imagine them having sex, or being “sexy”.

It was both strange and hard, and the moment was always fleeting. (Insert joke here about the parallels between this exercise and the first time I found myself naked with a boy.)

I am not exactly sure that the answer is, nor what exactly it is that I am looking in terms of this dream, or my ideas on nakedness and nudity. I think, for me, the most important thing is identifying my hang-ups – hang-ups I am sure shared by many – around being nude, about being naked (literally and metaphorically), and the overall social expectations and politicization of what it means to be naked (also literally and metaphorically).

My friend Emma Cooper, who is a local comedian and artist has said that when comes to nudity, “Men are not allowed to be vulnerable, and women are not allowed to be sexual.”

Whenever I think about this statement it hits me like a sack of bricks, and is an idea that I remain sensitive to, and cognizant of whenever it is that I find myself thinking about these things.

Now if only I had something to help me, during those moments of peak vulnerability, when I’m standing in that town square.

Epilogue

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Happy Sunday my little loves.

The fear of LWF (living while female)

I’ve been thinking about writing the following piece for a while, but my strict regime of running every day and near nightly commitments have been eating up a lot of my time.

Simply put, I am knackered.

But it’s not just my schedule that’s run me off of my feet.

It’s the absolute and all-exhausting condition of LWF – Living While Female – that has got me tired too.

Three weeks ago I was two-thirds of the way through a thirty kilometer run when I stopped to use the bathroom at the park at 29th Avenue Station.

In doing so, I literally walked right into a man who had been hiding behind the door.

My fear and surprise were weirdly trumped by my desperate need to use the facilities, and without even stopping to analyze the situation, I emphatically ordered him to, “GET OUT OF HERE.”

He mumbled an apology and something about the men’s washroom being disgusting, and clutching his backpack, he slowly slunk outside.

Once he was gone, I closed the door and right away checked to see if I could lock it from the inside. Unfortunately, that wasn’t an option, and I realized what a vulnerable position I was in, without the safety of a deadlock.

Looking around I could see that he has properly trashed the space, and I tiptoed my way into the first stall, being sure to lock it right away.

It was then that I could see that the man had not left the premises, and that he was standing right outside of the building.

As I squatted over the toilet, I watched between the slit of the stall door as he slowly began to open the door, just an inch or two.

Immediately I felt like I was going to throw up. I didn’t know if I should yell at him, or try to reason with him, or just phone the police.

“Sir. You have to close the door,” I told him, trying to keep my voice level, but firm.

And he closed the door.

But only for a second.

Right away, he opened it again, only this time a little wider, and a little quicker.

“SIR. PLEASE CLOSE THE DOOR.”

It was impossible this time to keep my voice level. I could feel my heart punching hard, straight through my chest and my head, fuzzy and hot. Tears began streaming down my cheeks.

“I AM GOING TO PHONE THE POLICE I AM PHONING THE POLICE,” I stammered.

By now he was already back inside of the bathroom and I could see that he too was panicky.

“No! Miss! Your problem is not with me. I promise! I am not here to hurt you,” he replied.

Standing, crying in the stall, I asked him, “Will you let me leave this bathroom?”

“Yes,” he said. “Of course. I need to hide in here. From the man in the park with the gun.”

“I need you to back away from the door, please. Go to the wall.”

And he did. But as he walked to the wall, I noticed that he was holding a pen in his hand.

“You have to drop the pen sir.”

At this ask, he got very jumpy and apologetic, and immediately dropped the pen and apologized.

“I am sorry miss. I am not a problem. There is a man. You should phone the police, but tell him about that man.”

At this point, I opened the stall and ran out of the bathroom, calling 911 as soon as I got far enough away from the building.

Just as the operator picked up, I noticed that there was a cop monitoring a speed trap down the block, so I apologized into the phone and instead approached the officer.

“There is a man in the woman’s washroom who has absolutely trashed the place and who just scared the hell out of me who is saying that there is a man with a gun in the park and I think he is paranoid and high and came in there when I asked him not to.” I didn’t even stop for breath as the words plummeted out of me.

“Oh. Yeah. Well, these kinds of places are never that clean to begin with…” is how he responded to my panic.

“Ummm, what?” was my incredulous reaction (only inside of my head).

Outside of my head, I said, “Well, I’ve used that space quite a bit over the last few months and it’s never looked like that. Plus, it’s a man in the WOMANS washroom,” I emphasized and reiterated.

“I grew up in this neighbourhood. This kind of thing happens all of the time,” he then told me.

I stood there, staring at this man, this man who will never, ever use a washroom and fear a woman coming in and raping, or beating him at 1pm on a sunny Spring afternoon, and started crying all over again.

“Well, can you please go over there and check it out?”

After inhaling for what seemed like a minute, he started to pack up his radar gear, and eventually rode his motorcycle over to the park.

I didn’t stay to check and see if he actually spoke to that man.

Instead, I tried to start running again, but everything felt leaden. Felt bad.

So I made it to Nanaimo station and skytrained home.

All the way home I fumed. Angry about my run being ruined. Angry about the cop not caring. Angry about that drugged up man who felt like he needed to be in that space. Angry about a society that doesn’t give a shit about substance abuse. Angry at myself for being in that situation.

But mostly angry that I cannot be a 31-year-old woman out running at noon on a Saturday without the fear of walking into a woman’s washroom and being terrorized.

I am just so over it.

I needed to use the bathroom.

And there will definitely be a next time when I will need to use a bathroom.

Only next time, if it comes down to it, I’m just going to shit my pants.

And then I’ll make that cop drive me home.

Because then maybe he’ll care about protecting me.

Who’s the boss?

Picture the summer of 2005.

Where were you? What were you doing? What were your passions? Your obsessions?

Who did you love?

Who did you love?

I was twenty years old, fresh out of my second year of university, and living in Halifax.

Marc and I had been dating (and living together) for just under two years. Knowing that I would be spending the next four months across the country away from the small little home we were building together had left me heartbroken. Although looking back, I am confident that on some subconscious level we both knew that it was these long stretches of time apart that was keeping our young love alive.

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Having just applied to (and been accepted by) the Creative Writing program at UBC, I felt like my whole life was falling into place.

I was reading everything I could get my hands on, exercising too much, and working two fantastic jobs.

The first was at a fair-trade coffee shop where I made adequate espressos and sold delicious pakoras. The second was at a local bar where I worked the door Wednesday through Saturday nights. Basically my job was to flirt or strike up conversations with individuals as they entered the establishment, in the hopes of convincing them that they really did want to pay the cover charge, when really they probably just wanted a drink or dinner. My take-home was determined by how many people I got through the door.

And I was really, really good at this job.

Can you imagine? I was getting paid to talk to people and listen to great music. It was my dream job, incarnate.

I witnessed a lot of really weird things during those four months. There was the man who unscrewed the light bulb from the fixture over his table, placed the bulb in his briefcase, and then lit up the giant candle he had brought from home.

A man once tried to pay me to steal one of the bar’s paintings for him, and even left a twenty dollar “deposit” wrapped around the stem of the white wine glass he had ordered for me on his way out the door.

A young man once careened in the bar and breathlessly asked if he could hide out in our restrooms. After about half an hour he emerged, only to tell me that he had been evading two bike cops who had caught him and his friends drinking up at the Citadel.

Gordie Sampson hit on my underage sister, and I learned that Gordie Sampson is a tool.

I also saw some of the most incredible live performances from some of the East Coast’s most wonderful performers.

Ron Hynes played a beautiful, intimate set, and everyone in the bar sang along to Sonny’s Dream. When he died last year I cried remembering the magic of that evening.

Jeff Goodspeed was always a treat and the week that we played home to the Halifax Jazz Festival’s “late-night venue”, the proverbial roof was blown away each and every night.

But my most favourite part of working this job was Wednesday nights.

Because Wednesday nights meant Matt Andersen.

And Matt Andersen always meant a huge crowd of people who really, really wanted to pay the five-dollar cover.

But even better than that, Matt Andersen meant the most beautiful blues.

I would have worked at that bar for free as long as it meant that I was allowed to sit there for three hours and listen to him play.

Every night, during his cover of Bruce Springsteen’s ‘I’m on Fire’, I would walk over to the end of the bar and lean against one of the pillars that framed the entrance to the dining room. Just closing my eyes now, I can remember so clearly how the music would wash over me.

Run through me.

How the hairs on my arms would stand on end, and my eyes would tear up, and how part of me wanted that moment to last forever but how the other feared that if it did my little heart might crack in two.

Matt was also a gentle giant, who would pick me up and drive me to the bar if he’d see me walking on my way downtown. He would ask me about the books that I was reading and the subjects that I was studying in school.

It never occurred to me to stop and think how that summer was real life (and not the undergraduate make-believe in which I was firmly ensconced). Now I wish I had the foresight to tell Matt how much I loved his music and made the effort to stay in touch.

Tonight my parents-in-law are at Matt’s concert at the Vogue downtown. Marc and I bought them tickets for Christmas and I am so incredibly excited for them to experience his music for the first time. I can only imagine what an amazing show it will be.

For me – I am wrapped in warm blankets and sipping tea, listening to Youtube compilations remembering those make-believe days and warm summer nights.

And I hope I can introduce you to Matt.

And that you will love him. Wednesday nights, and every night.

Mouth those words like you mean it

There are times in my life where I think to myself, “holy hell I was one weird kid.”

This happened a couple of days ago, as I sat in my office regaling one of my co-workers about the time in grade six when I wrote an award-winning speech on the life of Evita Peron. At the time I was unabashedly obsessed with the movie musical starring Madonna and Antonio Bandaras, and my presentation was written from the perspective of one of Evita’s childhood friends (played by me). In my zeal to create a compelling narrative, I fictionalized a series of letters that (I liked to imagine) the two women had sent back and forth between the time she moved to Buenos Aires in 1934 before her death in 1952. I even cried at the end, reminiscing about our lost childhood innocence.

It was pretty nuts.

(The reason that I was telling this tale in the first place was because I felt my work aesthetic that day to be very “Evita-esque” and had asked the same co-worker how she thought the two below photos compared):

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“Hair needs less bangs, and more height,” she rightfully critiqued.

Then we laughed like drains.

After we regained our composure, I told her about my speech, and my ever-enduring love for the Evita musical.

She again started laughing, before shaking her head and asking the oft-repeated question: “how did you end up being this way?”

To which I answered, as always, “I have no friggin clue.”

I was just a weird kid who was into weird things.

But not only that – I really, really liked the things that I liked, and even though I desperately wanted to fit in, I could never truly let my desire for social approval and acceptance outweigh my desire to be strange as hell.

Case in point: every year my elementary school held a day totally dedicated to airbands (or lip synchs if you will.)

It was a huge thing. Kids had to audition in front of their class and the king of teachers himself – the formidable Mr. Bell – in order to get on the program.

The best outcome one could hope for was to be cast in the both the morning and afternoon shows, which meant you were out of classes for the entire day and were able to showcase your routine for multiple audiences on different shows.

It was the best.

In grade five I was a new student to the school and, despite loving to be on stage and wanting desperately to perform, I was too nervous to put anything together for the auditions.

I remember very clearly the only acts that tried out from our class were two groups of boys who literally performed “air bads” – with guitars, basses and drum sets – to “Lump” by the Presidents of the United States of America and “Basket Case” by Green Day.

I had never seen boys hop around on stage, pretending to play instruments before. It was totally bizarre.

(I had also never heard the latter song and quickly became obsessed. I would sit by my radio with my blank cassette at the ready, poised for the exact moment it would begin to play.)

The next year however, I was primed and ready. I had a solid group of friends – some of whom who had even agreed to act with me!

Together we put on “Hakuna Matata” and “RESPECT.”

Imagine, if you will, the tallest, skinniest, whitest twelve year-old, harnessing everything her bad-ass, budding feminist self has to offer, so that for approximately four minutes, she WAS Aretha Franklin.

It just may have been the finest performance of my life.

I distinctly remember all the teachers absolutely losing their minds.

Hakuna Matata too was a pretty good show. We had an absolute blast, dressed head to toe in tie-dye, pretending to be the animals, and really getting into the spoken word sections.

Nothing like a farting warthog to get us going!

However, because I wasn’t one to ever leave anything well enough alone, I decided that I wanted to do one last airband to round out that year’s revue.

At that time of my life I was also pretty obsessed with the Forrest Gump Soundtrack (being as it was that I was Benjamin Buttons, and reverse aging like a fiend, from eighty to eleven) and I especially like the song “I Don’t Know Why I Love You, But I Do” by Clarence “Frogman” Henry.

(Holy shit.)

I mean, to its credit, it’s a solid, nice song.

But what I could have possible been thinking when I chose THIS tune as my third airband is an enigma wrapped in a mystery folded inside of an ARE YOU EVEN KIDDING ME?

The one thing that sold the entire act was that I committed like crazy. I dressed up in a suit, wore a tie and bowler hat, and carried a cane. The whole thing was so earnest I was basically Charlie Chaplin in an after-school special.

Evidently Mr. Bell really dug the performance, because he cast me in the morning and afternoon shows.

I never for a moment even stopped to think that what I was doing was brave, or nerdy, or subversive, or strange.

I just liked the song and thought people might identify with the lyrics!

The reaction I received left me absolutely stupefied. People were impressed! And not necessarily by my performance, but by my bravery for going through with the performance in the first place.

I’ll never forget Carrie Knoll coming up to me after the morning’s show and just blurting out “That was one of the coolest, cutest things ever. I cannot believe you had the guts to do it.”

I thanked her profusely. Being one of the coolest girls in our grade, her words were more than just a compliment – they were an act of legitimization, of the acceptance that I really truly did crave.

I was just flabbergasted that they were born from (what was perceived to be) such an extremely nerdy public endeavor.

Which just goes to show, you totally can kill two birds with one song.

Especially if it’s from a soundtrack you love.